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Constructor: Kelly Morenus
Relative difficulty: Medium
THEME: none
Word of the Day: “IDOMENEO” (5D: 1781 Mozart opera seria) —
Idomeneo, re di Creta ossia Ilia e Idamante (Italian for Idomeneus, King of Crete, or, Ilia and Idamante; usually referred to simply as Idomeneo, K. 366) is an Italian-language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as Idoménée in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany. (wikipedia) /// King Idomeneo is returning from his victory in the Trojan war when a great storm destroys his ship. Desperate to save his own life, he begs the god Neptune to spare him, and Neptune asks him for a sacrifice in return: the first living person that Idomeneo sees when he reaches the shore. // Back in Crete, reports of the wreckage of his father’s ship have brought Idamante to the sea’s edge to see if his father is alive. A fatal reunion on the shore seals Idamante’s fate. His own father must sacrifice him to appease the god of the sea. // Nothing can prevent this destiny. Sending Idamante away will not work, as he would have to travel by sea. Impatient for his sacrifice, Neptune sends a great monster to attack the people of Crete and force Idomeneo to fulfil his oath. Only the pure heart of Princess Ilia can prevent the fatal blow from striking Idamante, as love and innocent triumph over all. (stageagent dot com)
• • •
I thought the bottom stack—in fact, the bottom in general—was really strong on this one. I especially liked the very current “TAKE MY MONEY!” underneath and counterbalancing the more formal and perhaps more sober DISCRETIONARY spending. The juxtaposition makes DISCRETIONARY seem almost admonitory.
A: [Points to pink box on top shelf] “I want that!”
B: [Looks disapproving, removes monocle] “Hmm, perhaps you should use some discretion when considering how y—”
A: [Turns to cashier] “TAKE MY MONEY!”
B: [Sputters] “Now see here, DON’T INTERRUPT ME. We’ve been having some budgetary shortfalls of late and I just—”
A: [Holds pink box aloft] “Too late, Diamond-Eyes Barbie is mine, Mine, hahahahahaha” [runs wildly through Tiffany’s] [end scene]
[This is fantastic, how did I miss it!? Stupid grad school…]
So the proper nouns are overly plentiful, they run in too narrow a category (overwhelmingly music), and at least one of them is trying to murder you. Outside of that, the grid is solid (with the bottom section being the highlight), and solving it provided a proper Saturday workout.
- 26A: World Trade ___ (fixture of Hong Kong or Toronto) (CENTRE) — bizarre clue. Why would you want to evoke the (actually famous, destroyed by terrorists) WTC this way? I guess it’s … interesting? … that there are others, but this clue clanked for me.
- 40A: Cocktail fruta (PIÑA) — who doesn’t love “strained pineapple”!?
- 28D: Tech support? (MONOPOD) — no idea what this is. I assume it is a relative of the bi- and tripod. And it holds … tech? Of some sort? “A one-legged support for a camera or fishing rod” (!). Now I have the “Andy Griffith” theme in my head for some reason.
- 42D: Bandmate of Keith and Brian (MICK) — I wrote in PETE. As in Townshend. Of The Who. “Oh, Keith Moon, got it!” Nope.
- 46D: Joey of children’s literature (ROO) — Thus concludes ROO Week at the NYTXW… (when was that, yesterday? The day before? They blur together … (it was Thursday))
- 35D: Bleak (WINTRY) — so weird to me (still) that we lose the “E” when adjectivizing that season. It’s not SUMMRY! (oh god, is it SUMMRY? … so, phew, definitely SUMMERY … thank you for enduring my SUMMRY v. SUMMERY summary).
Signed, Rex Parker, King of CrossWorld
*For a definition of “Natick,” see sidebar of this blog
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